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Richard Gere on draft dodgers, activism and why 㽶ƵֱOh Canada㽶Ƶֱ was not shot in Canada

Richard Gere says he contemplated coming to Canada to avoid being sent to the Vietnam War
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Richard Gere says he contemplated coming to Canada to escape the Vietnam War. Gere, seen alongside Uma Thurman in an undated still image handout from the Paul Schrader film 㽶ƵֱOh Canada,㽶Ƶֱ plays a draft dodger. The actor explained to a group of journalists in Cannes the day after the film㽶Ƶֱs premiere that he was a conscientious objector. THE CANADIAN PRESS/HO-Oh, Canada LLC, *MANDATORY CREDIT*

Richard Gere says he contemplated coming to Canada to avoid being sent to the Vietnam War.

The actor plays a draft dodger in Paul Schrader㽶Ƶֱs film 㽶ƵֱOh Canada,㽶Ƶֱ and like his character, was a conscientious objector as a young man, he tells a group of journalists at the Cannes Film Festival a day after its premiere.

㽶ƵֱI ended up running,㽶Ƶֱ Gere says Saturday, careful to reveal little about how he dodged authorities.

But instead of fleeing to Canada as his character does, he moved to the U.S. West Coast.

㽶ƵֱThe draft board was harassing my parents and the neighbours where I was. So I came back, went through a process and that㽶Ƶֱs when they decided I (did not have the) mental stability that they wanted to give me a gun.㽶Ƶֱ

Gere reteams with the director who made him a star in 1980㽶Ƶֱs 㽶ƵֱAmerican Gigolo,㽶Ƶֱ this time to play Leonard Fife 㽶Ƶֱ a Montreal-based documentary filmmaker who is celebrated for taking a stand against the Vietnam War by fleeing to Canada, and for turning his camera on atrocities like the development of Agent Orange in New Brunswick and residential school violence.

In the film, Leonard is feted at a Montreal film festival and touted as a winner of Genie and Gemini awards 㽶Ƶֱ precursors to the Canadian Screen Awards which combined the film and television prizes.

A filmmaker contracted by the CBC, played by Michael Imperioli, is making a celebratory profile of Leonard and compares him to Toronto piano virtuoso Glenn Gould.

However, Leonard is terminally ill and hijacks the interview for a deathbed confession, coming clean about his life in front of the camera and his wife, played by Uma Thurman.

The movie, an examination of where the truth lies in documentary filmmaking and memory, is largely set and steeped in Canadiana, but it wasn㽶Ƶֱt shot north of the border.

㽶ƵֱIt cost too much,㽶Ƶֱ Gere says to a chorus of laughter.

㽶ƵֱWe did it right where we all lived so we didn㽶Ƶֱt have to pay per diems.㽶Ƶֱ

Based on the Russell Banks novel 㽶ƵֱForegone,㽶Ƶֱ the film jumps back and forth in time following Leonard㽶Ƶֱs not exactly reliable memories, which continue to deteriorate as he succumbs to cancer.

Leonard㽶Ƶֱs younger self is played by Jacob Elordi, the heartbreaker from 㽶ƵֱSaltburn㽶Ƶֱ and Sofia Coppola㽶Ƶֱs Toronto-shot 㽶ƵֱPriscilla.㽶Ƶֱ

Elordi did not attend the Cannes premiere for 㽶ƵֱOh, Canada,㽶Ƶֱ because he was actually in Canada to shoot Guillermo del Toro㽶Ƶֱs 㽶ƵֱFrankenstein.㽶Ƶֱ Toronto fans have taken to social media in recent weeks to share sightings of the 㽶ƵֱEuphoria㽶Ƶֱ star.

It㽶Ƶֱs hinted that the young Leonard may have had less altruistic reasons for opposing the war, his activism revealed as an opportunistic act. When asked about present-day political activism, Schrader suggests it can be similarly muddled by individual opportunism and unrelated grievances.

Schrader takes particular issue with the way criticism against atrocities in Gaza has been conveyed by some protesters: 㽶ƵֱSome of which is antisemitism masking itself as political correctness.㽶Ƶֱ

㽶ƵֱThese people don㽶Ƶֱt have, really, skin in the game. They㽶Ƶֱre not going to get drafted. (Only) a handful of them are Palestinian,㽶Ƶֱ he says.

㽶ƵֱA lot kids are just doing this cosplay. Cosplay revolutionaries. Let㽶Ƶֱs dress up. Let㽶Ƶֱs put the kaffiyeh on. Let㽶Ƶֱs shout. And then afterwards, let㽶Ƶֱs go to McDonald㽶Ƶֱs.㽶Ƶֱ

㽶ƵֱIt㽶Ƶֱs not the level of seriousness as it was with Vietnam 㽶Ƶֱ when people actually had skin in the game, when they were getting drafted and they were going (to war) and their friends were dying,㽶Ƶֱ he continues.

Gere says American activism in the 1960s was much different to activism today.

㽶ƵֱThe 㽶Ƶֱ60s was an explosion of possibilities and challenging everything. The youth movement of that time was in all the universities. It was in high schools,㽶Ƶֱ he says.

㽶ƵֱIt was going in this other direction questioning the status quo support, order of how things are done in the world. And I don㽶Ƶֱt think that㽶Ƶֱs happened here.㽶Ƶֱ

㽶Ƶֱ Radheyan Simonpillai is a freelance writer based on Toronto

Radheyan Simonpillai, The Canadian Press





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