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Big bucks for painting of small B.C. town

A 1965 painting of Ashcroft by E. J. Hughes exceeded its pre-auction estimate at a recent sale.
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This 1965 painting of Ashcroft by E.J. Hughes recently sold at auction for more than $200,000. Photo: Heffel Fine Art.

A 1965 painting of Ashcroft by renowned west coast painter Edward John (E.J.) Hughes recently sold at a Heffel Fine Art Post-War and Contemporary Art live auction for $205,000 (including buyer香蕉视频直播檚 premium). Its estimated sale price was $125,000 to $175,000.

香蕉视频直播淎shcroft (On the Thompson River in Central BC)香蕉视频直播 is a 32 x 48 inch oil on canvas work. Over the years it has been exhibited at several shows across Canada, including one at the National Gallery of Canada in Ottawa.

Hughes香蕉视频直播攏ow regarded as one of the most accomplished B.C. landscape painters of his time香蕉视频直播攚as born in North Vancouver in 1913 and grew up in Nanaimo.

He trained at the Vancouver School of Art and became a commercial artist, then enlisted in the Royal Canadian Artillery in 1940 and became an Army artist. He was soon promoted to the position of official Army War artist, and worked in Canada, Great Britain, and the Aleutians.

When the war ended Hughes returned to Vancouver Island, where he continued painting. In 1951 he signed a contract with the Dominion Gallery in Montreal and was able to earn a living as a full-time artist.

He was commissioned by Standard Oil to create a series of works depicting B.C.香蕉视频直播檚 coast, and spent a good deal of time travelling through, and painting, the province香蕉视频直播檚 Coastal and Interior regions.

Hughes was elected to the Royal Canadian Academy in 1966. He continued to paint until he passed away in Duncan, B.C. in 2007, aged 93.

In 1956香蕉视频直播攚hen Hughes was already celebrated for his West Coast landscapes香蕉视频直播擵ancouver art collector Doreen Norton sponsored him on a sketching trip to the B.C. Interior. Hughes was very much impressed by what he saw, writing to Norton that 香蕉视频直播淚 can understand your enthusiasm in the country up there. The views are really magnificent.香蕉视频直播

In 1958 Hughes returned to the Interior, making detailed graphite sketches which he took back with him to his studio at Shawnigan Lake and used to produce oil paintings of what he had seen. One of them was 香蕉视频直播淎shcroft (On the Thompson River in Central BC)香蕉视频直播, which the Heffel香蕉视频直播檚 catalogue describes as a 香蕉视频直播渕agisterial work香蕉视频直播.

The catalogue goes on to describe the painting in more detail: 香蕉视频直播淭his stunning panorama showcases Hughes香蕉视频直播檚 keen powers of observation and his ability to divine the essence of the landscape. Here he captures both the fine details of the town, overshadowed by its dramatic setting, and the vastness of the surrounding landscape, from the sinuous Thompson River to the striking clouds rolling up over the distant mountains.

香蕉视频直播淭he colour palette in this canvas is brilliant and intense香蕉视频直播攁 hallmark of his sought-after 1960s works. Hughes香蕉视频直播檚 unique and powerful vision of the landscape in works such as this made him one of the most important landscape painters in Canada.香蕉视频直播

The painting香蕉视频直播檚 selling price, although hefty, is far from the highest price paid at auction for a Hughes work. His painting 香蕉视频直播淭he Post Office at Courtenay, BC香蕉视频直播 was estimated at $600,00 to $800,000 when it went to auction in May, 2016, and sold for $1,593,000 (buyer香蕉视频直播檚 premium included). 香蕉视频直播淐oastal Boats Near Sidney, BC香蕉视频直播 also topped the $1 million mark at auction (in 2011)

Hughes is not the only well-known Canadian artist to have visited Ashcroft and drawn what he saw there. In 1945 A.Y. Jackson, a member of the Group of Seven, came to Ashcroft and produced two studies of it: one looking south down Railway Avenue (the north edge of the Central Caf茅 building is just visible) and one looking east over the town from the north end of Brink Lane.

Both of Jackson香蕉视频直播檚 Ashcroft works have been interpreted and recreated as glass mosaics, and are visible on the Rolgear building on Railway Avenue and in the Heritage Park near the gazebo.



editorial@accjournal.ca

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Barbara Roden

About the Author: Barbara Roden

I joined Black Press in 2012 working the Circulation desk of the Ashcroft-Cache Creek Journal and edited the paper during the summers until February 2016.
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