April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain. But it is also, if I check the clock, Mario Time.
㽶ƵֱThe Super Mario Bros. Movie,㽶Ƶֱ with its vistas of primary colors, is here to brighten our dreary springs, T.S. Eliot be damned. That there is a swell of enthusiasm for a Mario Bros. movie is a once-unthinkable development. The last time Mario hit the big screen was in the little-remembered 1993 live-action film with Bob Hoskins as Mario, John Leguizamo as Luigi and Dennis Hopper(!) as Bowser. Hoskins called the experience 㽶Ƶֱa f㽶ƵֱĔĔ nightmare.㽶Ƶֱ
But a lot has changed in the three decades since 㽶ƵֱSuper Mario Bros,㽶Ƶֱ the very first video-game adaptation. A once widely derided genre is now a cash cow. 㽶ƵֱThe Last of Us㽶Ƶֱ is a massive success on HBO. Pokemon and 㽶ƵֱUncharted㽶Ƶֱ are box-office hits. With Sonic the Hedgehog already two movies in, Mario is playing catch up.
And 㽶ƵֱThe Super Mario Bros. Movie,㽶Ƶֱ which opens in theaters Wednesday, is a spirited and sprightly attempt to race to the front of the pack. A collaboration between legendary video-game designer and Mario creator Shigeru Miyamoto and Illumination founder Chris Meledandri (both producers), it㽶Ƶֱs a drastically more sincere effort to capture the fun and spirit of the Nintendo game.
And visually, it㽶Ƶֱs a dream. Directors Aaron Horvath and Michael Jelenic and their animators have rendered the Mario universe with cartoony splendor, matching the game㽶Ƶֱs ingenious simplicity with a more robust and equally delightful day-glo palate. If part of the appeal of playing 㽶ƵֱSuper Mario Bros.㽶Ƶֱ and its many offshoots has always been to be immersed in such a sunny imaginary world 㽶Ƶֱ plus the bouncy earworm compositions of composer Koji Kondo 㽶Ƶֱ the movie has successfully mirrored that mushroom-stomping pleasure. It makes you 㽶Ƶֱ want to play Mario.
That㽶Ƶֱs because as nice as it is to look at 㽶ƵֱThe Super Mario Bros. Movie,㽶Ƶֱ it㽶Ƶֱs not anywhere near as fun as it would be to play it. It㽶Ƶֱs a-him, Mario, but it㽶Ƶֱs no a-masterpiece. The storyline is only a touch above the interstitial bits of plot you usually get between gameplay. With the exception of Jack Black㽶Ƶֱs grandly lovesick Bowser (he㽶Ƶֱs part Phantom of the Opera, part Meatloaf-styled balladeer), there㽶Ƶֱs nothing here that deepens these characters beyond their usual 2-D adventures. Mario may be a modern-day Mickey Mouse but his kingdom is on the console.
㽶ƵֱThe Super Mario Bros. Movie㽶Ƶֱ begins much like Spike Lee㽶Ƶֱs 㽶ƵֱDo the Right Thing㽶Ƶֱ: in a Brooklyn pizza parlor. There Mario (Chris Pratt, passable despite the outcry) and Luigi (Charlie Day) are struggling to get their plumbing business off the ground. There are a few moments of stereotypical Italian life 㽶Ƶֱ pasta and a big family dinner 㽶Ƶֱ before the brothers㽶Ƶֱ attempt to fix a water main break drops them through a portal and into the fantasy realm of the game. (In future Brooklyn-set sequels, Mario will presumably combat waves of strollers and hipsters.)
On the other side, Bowser lords over a Koopa Troop army in scenes that can feel like the most surreal imitation yet of 㽶ƵֱTriumph of the Will.㽶Ƶֱ But while shrinking or enlarging are possible on this other side of the green pipe, there㽶Ƶֱs never any mention of the possibility of lives being lost as Mario makes his way through mushroom patches and question-mark boxes. His predicament is just as clear as in the game: He㽶Ƶֱs been separated from Luigi and he must help save Princess Peach (Anya Taylor-Joy) from being forced to wed Bowser.
Game logic often dictates Mario㽶Ƶֱs movements. The shells of the turtle-like Koopas can be slid around like ammo. And choosing a Mario Kart vehicle is just as difficult a decision. Sometimes, the overlap is less consistent. An invincibility star is the most sought-after item in this adventure, greatly exaggerating its typical usefulness. Those things last for like 10 seconds.
None of this is likely to be enough for anyone to exclaim 㽶ƵֱOh, yeah!㽶Ƶֱ while hopping up and down and doffing their cap. But it is an hour and a half㽶Ƶֱs worth of superlative marketing that will whet your appetite for more Mario back home on the couch. If anything, the 㽶Ƶֱ as Mario would say 㽶Ƶֱ 㽶Ƶֱokey dokey㽶Ƶֱ 㽶ƵֱSuper Mario Bros. Movie㽶Ƶֱ only reinforces the distance between two wholly different mediums. It may be game-on for video-game adaptations but the Mario main event is still back on Nintendo.
㽶ƵֱThe Super Mario Bros. Movie,㽶Ƶֱ a Universal Pictures release, is rated PG by the Motion Picture Association for action and mild violence. Running time: 92 minutes. Two and a half stars out of four.
㽶ƵֱĔĔ
By Jake Coyle
THE ASSOCIATED PRESS
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