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R.T. Thorne says debut film 㽶Ƶֱ40 Acres㽶Ƶֱ inspired by fears from pandemic

Post-apocalyptic thriller tells the story of family trying to survive in a famine-ravaged world
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Randall Thorne, the director and co-writer of the film 㽶Ƶֱ40 Acres,㽶Ƶֱ poses for a photo at the 2024 TIFF press conference and festival kickoff in Toronto, Thursday, Aug. 22, 2024. THE CANADIAN PRESS/Paige Taylor White

As the COVID-19 pandemic upended daily life a few years ago, R.T. Thorne found himself facing 㽶Ƶֱexistential fears.㽶Ƶֱ

With the food supply chain disrupted and people stockpiling toilet paper, the Calgary-born director started questioning whether the world he knew was ever as stable as it seemed.

㽶ƵֱIf a sickness that we can㽶Ƶֱt even control knocks us off our rocker like that, are we really that safe? Are we really that firm in what we know?㽶Ƶֱ Thorne recalls wondering.

㽶ƵֱSo it started to make me think, 㽶ƵֱCan I provide for my kids if everything were to shut down? Can I grow food? Do I know how to do that? Can I protect them?㽶Ƶֱ

Thorne says those uncertainties were key inspirations for his debut film 㽶Ƶֱ40 Acres,㽶Ƶֱ which premiered at the Toronto International Film Festival this week.

The post-apocalyptic thriller centres on Hailey Freeman, an ex-military matriarch played by Danielle Deadwyler who leads her family in a future ravaged by famine. Faced with the threat of a ruthless band of cannibals intent on overtaking their farm, she clashes with her son Emanuel, played by Toronto㽶Ƶֱs Kataem O㽶ƵֱConnor, on the best way to survive a crumbling world.

㽶ƵֱAt its heart, it㽶Ƶֱs a mother and son story,㽶Ƶֱ says Thorne, who cut his teeth directing music videos for artists including Sean Paul and Keshia Chanté before creating 2020 sci-fi series 㽶ƵֱUtopia Falls㽶Ƶֱ and helming 2022 period drama 㽶ƵֱThe Porter,㽶Ƶֱ both of which aired on CBC.

㽶ƵֱIt㽶Ƶֱs a thriller that㽶Ƶֱs about two different ideologies of how to move forward in a family.㽶Ƶֱ

While Hailey believes her family㽶Ƶֱs safety depends on complete isolation, Emanuel craves connection, eager to explore the world outside their farm after encountering a young woman from a nearby homestead, played by Toronto-born Milcania Diaz-Rojas.

Thorne and co-writer Glenn Taylor weave the dystopian survival story together with a metaphor for the complex history of land ownership in North America. Hailey is a descendant of a Black family of farmers who settled in Canada after the American Civil War, while her partner, Michael Greyeyes㽶Ƶֱ Galen, is Indigenous.

㽶ƵֱI wanted to make a story about a family I㽶Ƶֱve never seen on screen before. It㽶Ƶֱs a blended Black and Indigenous family,㽶Ƶֱ says Thorne.

㽶ƵֱI think there are so many stories in Canada that can be told.㽶Ƶֱ

Thorne says 㽶Ƶֱ40 Acres㽶Ƶֱ draws on several current political and economic challenges, from racial inequality to food insecurity to Indigenous land rights.

㽶ƵֱWe㽶Ƶֱve been in this space for almost a decade where socially there have been a lot of things that have been happening in the world that are causing a lot of people worry,㽶Ƶֱ he says.

㽶ƵֱHopefully (we can) put these ideas out there and let people contemplate it, but take them for a little ride as well.㽶Ƶֱ

Thorne says his film has been eight years in the making and premiering it at TIFF has been a 㽶Ƶֱdream come true.㽶Ƶֱ

㽶ƵֱI㽶Ƶֱve been coming to this festival for over 20 years as a film lover, just seeing amazing films that just rocked my world,㽶Ƶֱ he says.

㽶ƵֱI㽶Ƶֱm honoured to be able to come here and have my debut film at the festival that I love.㽶Ƶֱ

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Alex Nino Gheciu, The Canadian Press

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