Decades before he hosted 㽶ƵֱThe Apprentice,㽶Ƶֱ was 㽶Ƶֱ an apprentice.
His mentor: Roy Cohn, the ruthless attorney who was a prominent New York power broker in the 㽶Ƶֱ70s and 㽶Ƶֱ80s after famously serving as a top aide to Sen. Joseph McCarthy.
The Trump-Cohn connection is well known. But in his provocative if not quite shocking, entertaining if not quite illuminating, impeccably acted and inherently controversial film, Ali Abbasi takes it farther.
It㽶Ƶֱs this relationship, posits the Danish Iranian director, that essentially made a young real estate heir 㽶Ƶֱ inexperienced but wildly ambitious 㽶Ƶֱ into the man who would become the 45th U.S. president, smashing the norms of American politics along the way.
Speaking of unlikely paths: The mere to the big screen is fodder for its own movie.
Written by Gabriel Sherman and starring an ingeniously cast trio of Sebastian Stan as Trump, Jeremy Strong as Cohn and Maria Bakalova as Ivana Trump, the film failed to get picked up at Cannes in May. That was surely due at least in part to a cease and desist letter from Trump lawyers.
Trump㽶Ƶֱs campaign spokesman called the movie 㽶Ƶֱpure fiction㽶Ƶֱ (the filmmakers call their script 㽶Ƶֱfact-based㽶Ƶֱ). One of the film㽶Ƶֱs investors 㽶Ƶֱ Trump supporter Dan Snyder, former owner of the Washington Commanders 㽶Ƶֱ saw it and wanted out. It was only weeks ago that it would open 㽶ƵֱThe Apprentice㽶Ƶֱ this Friday 㽶Ƶֱ less than four weeks before the U.S. election.
So, what kind of movie do we have here?
Contrary to some descriptions, Abbasi says his film isn㽶Ƶֱt a biopic at all, but a look at a relationship 㽶Ƶֱ and at a system that㽶Ƶֱs about winning at any cost.
He㽶Ƶֱs also not, he says, trying to be political 㽶Ƶֱ an admirable goal but perhaps an impossible one. In any case, it㽶Ƶֱs hard to imagine anybody coming to this film to make their mind up about Donald Trump. While it㽶Ƶֱs hardly a hit job 㽶Ƶֱ the early Trump scenes are somewhat sympathetic 㽶Ƶֱ his supporters, should they come at all, will likely not be fans of many later scenes, most dramatically a rape scene with wife Ivana. Trump is also shown having scalp-reduction surgery to combat baldness, among many other things.
But the core of the film is his relationship with Cohn, whom a young Trump, son of Queens developer Fred Trump, meets in the 㽶Ƶֱ70s. 㽶ƵֱAnybody who㽶Ƶֱs anybody comes here,㽶Ƶֱ he tells an uninterested date in an exclusive Manhattan club. 㽶ƵֱThey say I㽶Ƶֱm the youngest person ever admitted.㽶Ƶֱ
He㽶Ƶֱs invited to Cohn㽶Ƶֱs table. Trump hopes the brash attorney will help his family fight a federal case alleging they discriminate against Black tenants. Cohn eventually agrees. Soon, he㽶Ƶֱs also paying the bill for Trump㽶Ƶֱs much-needed upgrade to expensive Brioni suits. He invites Trump to one of his wild parties, attended by notables like Andy Warhol, where, 㽶Ƶֱif you㽶Ƶֱre indicted, you㽶Ƶֱre invited.㽶Ƶֱ
Most importantly, Cohn imparts to Trump his three most important rules. First, 㽶ƵֱAttack, attack, attack.㽶Ƶֱ Then: 㽶ƵֱAdmit nothing, deny everything.㽶Ƶֱ And finally: 㽶ƵֱNo matter what happens, you claim victory and never admit defeat.㽶Ƶֱ
The younger Trump is portrayed here as a bit of a charmer 㽶Ƶֱ there are even comparisons to Robert Redford 㽶Ƶֱ with lovingly tended hair, aching to succeed and please his exacting father. Stan, on a roll after the recent about a wholly different kind of transformation, gives a nuanced performance that manages to capture Trumpian qualities but not to mimic. Although familiar mannerisms and speech patterns emerge as Trump ages, this is no 㽶ƵֱSaturday Night Live㽶Ƶֱ skit.
As for Strong, who better to play Cohn than the exquisitely tortured Kendall Roy of 㽶ƵֱSuccession㽶Ƶֱ? Strong, famous for losing himself in roles, seems to have heard the word 㽶Ƶֱreptilian㽶Ƶֱ and, through sheer force of will and talent, found a way to actually resemble a snake.
Trump proves an eager learner, and Cohn㽶Ƶֱs help proves instrumental in achieving the younger man㽶Ƶֱs vision: placing a luxury hotel right on 42nd Street, a sleazy area he aims to revitalize. With some Cohn-esque pressure on city officials, the gleaming Grand Hyatt opens in 1980.
That㽶Ƶֱs three years after Trump marries Ivana, the Czech-born model he meets at the club and doggedly woos. for 㽶ƵֱBorat Subsequent Moviefilm,㽶Ƶֱ is terrific, both warm-hearted and fiery in her famous blonde updo.
Their failing marriage makes for the film㽶Ƶֱs most shocking scene. Ivana tries to spice up their sex life, but her husband says he㽶Ƶֱs no longer attracted to her 㽶Ƶֱ he even hates the fake breasts he made her acquire. She insults him back, and he forces himself upon her violently. (Ivana Trump, who died in 2022, accused Trump of rape in a sworn statement in the 㽶Ƶֱ90s but
Ivana has turned cold and bitter by the time she informs Cohn, now dying of AIDS, that a bejeweled gift Trump just gave him is a mere cheap imitation. 㽶ƵֱDonald has no shame,㽶Ƶֱ she says.
Soon, the mentor is gone. And 30 years after the film ends, Trump will become president. This film㽶Ƶֱs biggest lack is the connective tissue 㽶Ƶֱ we don㽶Ƶֱt ever really understand, alas, how young Trump became President Trump.
But we do at least see the power of Cohn㽶Ƶֱs lessons. As Trump sits down at the end with the writer he㽶Ƶֱs hired to co-author his 1987 㽶ƵֱTrump: The Art of the Deal,㽶Ƶֱ he recites for him his three most important rules.
Guess what they are?
㽶ƵֱThe Apprentice,㽶Ƶֱ a Briarcliff Entertainment release, has been rated R by the Motion Picture Association for sexual content, some graphic nudity, language, sexual assault, and drug use. Running time: 120 minutes. Two and a half stars out of four.