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Nicole Kidman returns to Venice Film Festival with erotic drama 㽶ƵֱBabygirl㽶Ƶֱ

Themes of desire, secrets, marriage, truth, power and consent explored in new film
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This image released by A24 shows Nicole Kidman in a scene from 㽶ƵֱBabygirl.㽶Ƶֱ (Niko Tavernise/A24 via AP)

㽶ƵֱBabygirl,㽶Ƶֱ an erotic thriller about a female CEO who begins an affair with a younger, male intern, is about sex, certainly. But that㽶Ƶֱs just part of the story.

It㽶Ƶֱs also about desire, secrets, marriage, truth, power and consent, star Nicole Kidman said Friday at the . And it㽶Ƶֱs bound to inspire conversations for months to come.

From filmmaker Halina Reijn, 㽶ƵֱBabygirl㽶Ƶֱ is having its world premiere Friday evening on the Lido, where it㽶Ƶֱs playing in competition before A24 releases it in theaters in December.

Antonio Banderas plays the husband of Kidman㽶Ƶֱs character and Harris Dickinson is the intern. Both her personal life and career are jeopardized through the ripples of the affair.

㽶ƵֱI hope it㽶Ƶֱs a very liberating story,㽶Ƶֱ Kidman said. 㽶ƵֱIt was told by a woman through her gaze 㽶Ƶֱ that㽶Ƶֱs what to me what made it so unique.㽶Ƶֱ

Arriving at the festival by water taxi, Kidman posed for photographers on the dock in the blazing sun before making her way to a news conference. She wore a black Bottega Veneta midi dress with short sleeves and a deep V-neck.

Kidman came to Venice 25 years ago with another risqué film: Stanley Kubrick㽶Ƶֱs 㽶ƵֱEyes Wide Shut.㽶Ƶֱ But even with a resume full of boundary-pushing, sexy and challenging work, she still has some anxiety about this one. During a news conference, she said she was nervous.

㽶ƵֱI hope my hands aren㽶Ƶֱt shaking,㽶Ƶֱ Kidman said.

She said that as an actor she㽶Ƶֱs always interested in examining human beings 㽶Ƶֱ especially women 㽶Ƶֱ on screen and exploring questions about what it means to be human and the 㽶Ƶֱlabyrinth of that.㽶Ƶֱ

㽶ƵֱThis definitely leaves me exposed and frightened and vulnerable when it㽶Ƶֱs given to the world,㽶Ƶֱ she said.

Reijn, who previously made the youthful, anarchic slasher 㽶Ƶֱ ,㽶Ƶֱ was excited to explore the idea of female desire, but also about a woman in an existential crisis. With that in mind, she said it was important for the husband, who does not satisfy Kidman㽶Ƶֱs character, to be both handsome and masculine. This, she said, is why she wanted Banderas.

㽶ƵֱIt㽶Ƶֱs a cautionary tale about what happens when you suppress your own desires,㽶Ƶֱ Reijn said.

The director was inspired to make 㽶ƵֱBabygirl㽶Ƶֱ out of a love for the erotic thrillers of the 1980s and 90s from the likes of Paul Verhoeven and Adrian Lyne, but unlike in some of those stories, she didn㽶Ƶֱt want to 㽶Ƶֱpunish㽶Ƶֱ the woman.

㽶ƵֱI don㽶Ƶֱt want any of my characters to be punished,㽶Ƶֱ Reijn said. 㽶ƵֱI just want them to be.㽶Ƶֱ

Kidman and Dickinson got to know one another prior to filming through rehearsals in New York, knowing that the shoot would be quick. They also utilized an intimacy coordinator to help guide them through the steamier scenes.

㽶ƵֱBabygirl㽶Ƶֱ also looks at generational differences when it comes to topics like sex and intimacy, juxtaposing Kidman and Banderas with Dickinson and actor Sophie Wilde.

㽶ƵֱIt was four of us together on a journey and it was really, really intimate,㽶Ƶֱ Kidman said. 㽶ƵֱEnormous care taken by all of us, we were all very gentle with each other and helped each other.㽶Ƶֱ

Dickinson liked the specificity in which the story and script addressed the 㽶Ƶֱconfusion within a young man of now.㽶Ƶֱ

㽶ƵֱA confusion about how to conduct yourself and how to conduct yourself in sex,㽶Ƶֱ Dickinson said. 㽶ƵֱHalina was always ready to dissect and challenge that and challenge the nuance of the behavior. That opened up a whole new world of the film.㽶Ƶֱ

㽶ƵֱBabygirl㽶Ƶֱ is competing for the festival㽶Ƶֱs top prizes alongside the and the yet-to-premiere 㽶ƵֱThe Room Next Door,㽶Ƶֱ 㽶ƵֱQueer㽶Ƶֱ and 㽶ƵֱJoker: Folie à Deux.㽶Ƶֱ Winners will be announced on Sept. 7.





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