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Movie Review: Disenchantment under the sea in live-action 㽶ƵֱThe Little Mermaid㽶Ƶֱ

It㽶Ƶֱs not Rob Marshall㽶Ƶֱs fault that Disney㽶Ƶֱs latest live-action retread doesn㽶Ƶֱt really sing. 㽶ƵֱThe Little Mermaid,㽶Ƶֱ a somewhat drab undertaking with sparks of bioluminescence, suffers from the same fundamental issues that plagued 㽶ƵֱThe Lion King,㽶Ƶֱ 㽶ƵֱAladdin㽶Ƶֱ and 㽶ƵֱBeauty and the Beast.

It㽶Ƶֱs not Rob Marshall㽶Ƶֱs fault that Disney㽶Ƶֱs latest live-action retread doesn㽶Ƶֱt really sing. 㽶ƵֱThe Little Mermaid,㽶Ƶֱ a somewhat drab undertaking with sparks of bioluminescence, suffers from the same fundamental issues that plagued 㽶ƵֱThe Lion King,㽶Ƶֱ 㽶ƵֱAladdin㽶Ƶֱ and 㽶ƵֱBeauty and the Beast.㽶Ƶֱ Halle Bailey might be a lovely presence and possesses a superb voice that is distinctly different from Jodi Benson㽶Ƶֱs, but photorealistic fins, animals and environments do not make Disney fairy tales more enchanting on their own.

The essential problem is that the live-action films have prioritized nostalgia and familiarity over compelling visual storytelling. They try to recreate beats and shots from their animated predecessors, defiantly ignoring the possibility that certain musical sequences and choices were enchanting and vibrant because they were animated, not in spite of it.

There was, in the 1989 film, a sparkling awe to everything. The underwater castle. The mermaids. Eric㽶Ƶֱs ship. Even Ariel㽶Ƶֱs bright red hair. Combined with the wonderful songs and lyrics by Alan Menken and Howard Ashman, it㽶Ƶֱs not hard to understand why it helped fuel a Disney Animation renaissance.

Anyone who has gone through the recent Disney㽶Ƶֱs live-action library would be right to approach 㽶ƵֱThe Little Mermaid㽶Ƶֱ with caution. Still, there㽶Ƶֱs excitement as the camera takes us underwater to give us our first glimpse of the mermaids 㽶Ƶֱ even after a somewhat ominous quote from Hans Christian Anderson that begins the movie (㽶ƵֱBut a mermaid has no tears, and therefore she suffers much more㽶Ƶֱ). You can㽶Ƶֱt help but be hopeful. But the first mermaid that comes into focus doesn㽶Ƶֱt so much evoke wonder as it does a flashback of Ben Stiller㽶Ƶֱs merman in 㽶ƵֱZoolander.㽶Ƶֱ The technology is better, sure, but the result is about the same. Worse, as we spend more time with them, following Ariel㽶Ƶֱs multicultural sisters as they gather around their father King Triton (Javier Bardem), it㽶Ƶֱs hard to shake a distinctly uncanny valley feeling. It㽶Ƶֱs like gazing in on roundtable of AI supermodels with fins.

For all its pizazz, everything about this 㽶ƵֱLittle Mermaid㽶Ƶֱ is just more muted. Miranda㽶Ƶֱs new songs are odd, too, and don㽶Ƶֱt seem to fit. Prince Eric㽶Ƶֱs (Jonah Hauer-King) makes sense, maybe even Ariel㽶Ƶֱs in-her-head anthem after she gives her voice to Melissa McCarthy㽶Ƶֱs Ursula, but did Scuttle really need a song, too?

Speaking of Scuttle, the cute cartoons that stood in for Ariel㽶Ƶֱs seagull, crab and fish friends have been replaced with horrifyingly accurate depictions of said animals. Awkwafina㽶Ƶֱs comedy charms can only go so far while looking like an actual seagull who might be after your chips at the beach. Close-ups of its beady blue eyes are unsettling, though it was probably a good call to go blue over gold, which looks a bit demonic even in the cartoon. Sometimes it seems as though the editor is trying to minimize the unpleasantness by quickly cutting away from Scuttle. Flounder (Jacob Tremblay, who also voiced Luca) doesn㽶Ƶֱt have this problem as much, mainly because once they go out of the water he㽶Ƶֱs essentially hidden under the surface. Daveed Digg㽶Ƶֱs Sebastian gets off easy, looking the most pleasantly cartoonish. But then there㽶Ƶֱs that Jamaican accent that they decided to carry over (and this in a movie that adds a line about consent to 㽶ƵֱKiss the Girl㽶Ƶֱ).

Visibility is a problem for more than just Flounder, too. Sometimes 㽶ƵֱThe Little Mermaid㽶Ƶֱs㽶Ƶֱ underwater sequences just look too underwater. Things are cloudy and dull and hard to see, once again probably in the name of authenticity, but straining to see what Marshall and the scores of VFX teams have labored on for years is not a pleasant experience. This could be a projection issue 㽶Ƶֱ I wasn㽶Ƶֱt in an especially high-tech theater with color enhancing upgrades. But that also means anyone without access to things like Dolby Vision around the world will have this issue, too. When Sebastian brings out the most colorful fish he can find for the 㽶ƵֱUnder the Sea㽶Ƶֱ number, you even start to empathize with Ariel a little bit. It is the exact opposite of the 㽶Ƶֱ Avatar: The Way of Water 㽶Ƶֱ experience.

㽶ƵֱThe Little Mermaid,㽶Ƶֱ a Walt Disney Co. release in theaters Friday, is rated PG by the Motion Picture Association for 㽶Ƶֱaction/peril, some scary images.㽶Ƶֱ Running time: 135 minutes. Two stars out of four.

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MPA Definition of PG: Parental guidance suggested.

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