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All Cannes eyes on Coppola as director set to unveil self-financed opus

Megalopolis premiere brings back memories of 1979 and Apocalypse Now
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Francis Ford Coppola on Thursday will premiere at the a film on which he has risked everything, one that香蕉视频直播檚 arriving clouded by rumors of production turmoil. Sound familiar?

On Thursday, Coppola香蕉视频直播檚 will make its much-awaited premiere. Other films are debuting in Cannes with more fanfare and hype, but none has quite the curiosity of 香蕉视频直播淢egalopolis,香蕉视频直播 the first film by the 85-year-old filmmaker in 13 years. Coppola put $120 million of his own money into it.

Forty-five years ago, something very similar played out when Coppola was toiling over the edit for 香蕉视频直播淎pocalypse Now.香蕉视频直播 The movie香蕉视频直播檚 infamous Philippines production, which would be documented by , was already legend. The originally planned release in December 1977 had come and gone. Coppola had, himself, poured some $16 million into the $31 million budget for his Vietnam-set telling of Joseph Conrad香蕉视频直播檚 香蕉视频直播淗eart of Darkness.香蕉视频直播

香蕉视频直播淚 was terrified. For one thing, I was on the hook for the whole budget personally 香蕉视频直播 that香蕉视频直播檚 why I came to own it,香蕉视频直播 香蕉视频直播淚n addition, in those days interest was over 25, 27%. So it looked as though, especially given the controversy and all the bogus articles being written about a movie that no one knew anything about but were predicting it was 香蕉视频直播榯he heralded mess香蕉视频直播 of that year, it looked as though I was never going to get out of the jeopardy I was in. I had kids, I was young. I had no family fortune behind me. I was scared stiff.香蕉视频直播

Gilles Jacob, delegate general of Cannes, traveled to visit Coppola, hoping he could coax him into returning to the festival where the director香蕉视频直播檚 香蕉视频直播淭he Conversation香蕉视频直播 had won the Palme d香蕉视频直播橭r in 1974. In his book, 香蕉视频直播淐itizen Cannes: The Man Behind the Cannes Film Festival,香蕉视频直播 Jacob recounted finding Coppola in the editing suite 香蕉视频直播渂eset by financial woes and struggling with 20 miles of film.香蕉视频直播

By springtime 1979, Coppola had assembled an edit he screened in Los Angeles 香蕉视频直播 much as he recently did 香蕉视频直播淢egalopolis.香蕉视频直播 When Jacob got wind of the screening, he threw himself into securing it for that year香蕉视频直播檚 Cannes.

香蕉视频直播淎lready considered an event even before it had been shown, 香蕉视频直播楢pocalypse Now香蕉视频直播 would be the festival香蕉视频直播檚 crowning glory,香蕉视频直播 Jacob wrote. He added: 香蕉视频直播淯ltimately I knew it was Cannes香蕉视频直播 setting 香蕉视频直播 more than a match for his own megalomania 香蕉视频直播 that would convince him to come.香蕉视频直播

But Coppola wasn香蕉视频直播檛 so sure. The film was unfinished, didn香蕉视频直播檛 have credits yet and he still was unsure about the ending. But after some back-and-forth and debate about whether 香蕉视频直播淎pocalypse Now香蕉视频直播 would screen in or out of competition, it was decided: It would screen as a 香蕉视频直播渨ork in progress香蕉视频直播 香蕉视频直播 in competition.

At the premiere in Cannes, Coppola carried his daughter, Sofia, then 8, on his shoulders. The response to the film wasn香蕉视频直播檛 immediately overwhelming.

香蕉视频直播溝憬妒悠抵辈Apocalypse Now,香蕉视频直播 one of the most ballyhooed movies of the decade, got only a polite response at the Cannes Film Festival on Saturday,香蕉视频直播 wrote the Herald Tribune.

At the press conference, Coppola was defensive about the bad press the film received and the attention given to its budget.

香蕉视频直播淲hy is it that I, the first one to make a film about Vietnam, a film about morality, am so criticized when you can spend that much about a gorilla or a little jerk who flies around in the sky?香蕉视频直播 .

But 香蕉视频直播淎pocalypse Now香蕉视频直播 would ultimately go down as one of Cannes香蕉视频直播 most mythologized premieres. The president of the jury that year, French author Francoise Sagan, preferred another entry about war: 香蕉视频直播淭he Tin Drum,香蕉视频直播 Volker Schlondorff香蕉视频直播檚 adaptation of the G眉nter Grass novel. The jury, split between the two, gave the Palme d香蕉视频直播橭r to both.

香蕉视频直播淢egalopolis,香蕉视频直播 too, will be premiering in competition on Thursday.

The day after the 1978 Cannes closing ceremony, Jacob recalled running into Coppola at the Carlton Hotel, just as he was leaving.

香蕉视频直播淎 big, black limousine was about to drive off. The back door opened and Francis got out,香蕉视频直播 Jacob wrote. 香蕉视频直播淗e came up to me, held out his hand and, as he removed a big cigar from between his teeth, said, 香蕉视频直播業 only received half a Palme d香蕉视频直播橭r.香蕉视频直播櫹憬妒悠抵辈

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